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Undergraduate Programs
Literature
A variety of options are available to undergraduates wishing to
devote their major electives to further work in literary studies.
Usually organized by some combination of genre, theme, historical
period, or national, cultural, and ethnic focus, the English Departments
upper-division literature courses are numerous and are offered regularly.
Many students take upper-division literature courses because of
an interest aroused in one of their ILP courses. Creative writing
and rhetoric and composition students often take advanced literature
courses to get a sense of the history of their own practice or to
see what contemporary writers are doing, or perhaps both. Students
with an interest in literary theory or cultural studies take courses
which foreground these concerns in the selection and discussion
of texts. And virtually all students take at least one course dealing
in some way with contemporary literature, whether written in England,
Hawaii, the continental U.S., New Zealand, Ghana, Canada,
India, Samoa, or any other place where English serves as one of
the languages of literature.
For more information on opportunities for literary studies, contact
your advisor or the Director of Undergraduate Studies; watch the
bulletin boards near the fourth floor elevator, as well, and remember
that the Department publishes descriptions of all its upper-division
courses, available before the Schedule of Classes comes out, in
KUY 402, outside KUY 429, and on its web site <http://www.english.hawaii.edu/courses/courses>.
Creative Writing
Undergraduate students have various opportunities to study or to
specialize in creative writing. Those majoring/minoring in English
may take their elective credits in creative writing courses which
cover fiction, poetry, creative non-fiction, and writing in special
genres. Students who are not English majors may also take any of
the creative writing courses, provided that they meet the prerequisites
(usually ENG 313). All students choosing 400-level creative writing
courses should have been encouraged to continue by their ENG 313
instructors. UHM is one of only a handful of schools nationwide
that offer not only the MA or MFA in Creative Writing, but also
the PhD.
Creative Writing Courses
ENG 313: Types of Creative Writing. This workshop introduces students
to the genres of fiction and poetry. One half of the semester is
devoted to writing poetry, the other to writing fiction. ENG 313
is prerequisite for all other courses in creative writing. Prerequisite:
ENG 100 or 101 and one ENG 250-57 course.
ENG 410: Form and Theory of Poetry. This course provides a foundation
in contemporary theories and techniques of poetry through reading
the poems, essays, and commentaries of poets. Workshop assignments
may be part of the course. Prerequisite: ENG 313 or consent.
ENG 411: Poetry Workshop. This course in advanced poetry writing
puts into practice theories and techniques learned in ENG 410. Prerequisite:
ENG 410 or consent. The course may be repeated once for credit.
ENG 412: Nonfiction Workshop. Writing nonfiction prose using the
techniques of narrative literature found in "new journalism,"
essays, literary articles, biography, and in "non-fiction"
novels. Prerequisite: ENG 313, 306, or consent. This course may
be repeated once for credit.
ENG 413: Form and Theory of Fiction. This course offers students
wishing to write fiction at a more advanced level a foundation in
contemporary theories and techniques. Reading models and commentaries
as well as workshop assignments. Prerequisite: ENG 313 or consent.
ENG 414: Fiction Workshop. This course offers further opportunities
to write and refine fiction and to apply what has been learned in
ENG 413. Prerequisite: ENG 413 or consent. This course may be repeated
once for credit.
ENG 416: Studies in Creative Writing. This is a special topics course
on writing in particular genres (nature, travel writing), or writing
in forms related to other arts such as dance, the visual arts, video,
etc. Prerequisite: ENG 313 or 306, one 400-level writing course,
or consent.
The Visiting Creative Writer. The Creative Writing Program frequently
hosts a visiting poet or prose writer so that students may work
with a writer not on the regular faculty. Visiting writers have
included Ron Carlson, Eric Chock, Alison Deming, Galway Kinnell,
Maxine Hong Kingston, Michael Ondaatje, Walter Pavlich, Lynne Sharon
Schwartz, Cathy Song, Robert Stone, Robert Sullivan, Edgar Torres,
Eleanor Wilner, and Lois Ann Yamanaka.
Rhetoric and Composition
A growing area of specialization at both the undergraduate and graduate
levels nationally, rhetoric and composition offers students an opportunity
to study language and textual practices within and beyond the academy.
The undergraduate major is a good place to start thinking about
and working with the theories and practices of reading and writing.
If you have an interest in the writing process, the teaching of
English, law, advertising, or technical and business writing, then
specializing in rhetoric and composition may be a good option for
you.
Rhetoric and composition share an interest in forms of communication
in personal, academic, and social contexts. Rhetoric historically
is defined as the art of persuasion. Currently, the study of rhetoric
involves the production and analysis of argumentation in print and
electronic media and verbal and visual forms. Sites of study may
include civic, political, and legal discourse, advertisements, and
hypertexts, among others. Composition studies the theories and practices
associated with the writing process and with the teaching of writing.
As an interdisciplinary field of inquiry, it draws upon research
and methodologies from linguistics, education, women's studies,
cultural studies, and anthropology. Sites of study may include social
and cultural dimensions of writing, writing in the academy, community
writing projects, and literacy.
Rhetoric and Composition Courses
ENG 300: The Rhetorical Tradition. A course that surveys major concepts
and thinkers in the history of rhetoric from ancient Greece and
Rome to the present. Prerequisite: two ENG 250-57 courses, the second
of which may be taken concurrently.
ENG 302: Introduction to the English Language. A course that considers
not only the recent history of the language but also issues of language
diversity, standards, and multiculturalism. Prerequisite: two ENG
250-57 courses, the second of which may be taken concurrently.
ENG 306: Argument I. A prerequisite for several of the 400-level
writing courses, and a good place to begin focusing your writing
talents on challenging assignments and projects. Prerequisite: one
ENG 250-57 course.
ENG 307: Rhetoric, Composition and Computers. A course in various
forms of on-line communication that also explores rhetorical strategies
appropriate to these new media and their social implications. Prerequisite:
one ENG 250-57 course.
ENG 311: Autobiographical Writing. This course gives serious writing
students the opportunity to work within a major literary form, the
autobiographical essay. Writing in and out of class is based on
the students own experience, and readings are drawn from autobiographical
texts that offer a variety of approaches to writing about ones
self. Prerequisite: ENG 100 and one ENG 250-57 course.
ENG 402: History of the English Language. A course in the early
and later development of the English language to about 1800, with
particular emphasis on the analysis of literary texts. Prerequisite:
two ENG 250-57 courses.
ENG 403: Modern English Grammar. An excellent introduction to grammatical
analysis and issues of teaching and style for English and Education
majors. Prerequisite: two ENG 250-57 courses.
ENG 404: English in Hawaii. This course studies the English-speaking
culture of Hawaii from the viewpoint of the states multilingual
history and culture. Prerequisite: two ENG 250-57 courses.
ENG 405: Teaching Composition. A course that combines the study
of methods and issues in the teaching of writing with teaching or
tutoring assignments outside of the classroom. Prerequisite: two
ENG 250-57 courses.
ENG 406: Argumentative Writing II. A course designed to concentrate
on principles of argument and persuasion, and a good introduction
to advanced work in rhetorical principles. Prerequisite: ENG 306
or consent.
ENG 407: Writing for Electronic Media. A lecture/lab course in computer
mediated communication, including on-line technical writing, courseware
developments, hypertext fiction, etc. Prerequisite: two ENG 250-57
courses, ENG 307.
ENG 408: Professional Editing. A course of practice in the professional
editing of a variety of texts, and supplemented by readings and
discussions on the science and art of editing. Prerequisite: ENG
306 or consent.
ENG 409: Studies in Composition/Rhetoric/Language. The content of
this course varies by semester. See the Departments course
descriptions for specific information. Prerequisite: ENG 320 and
two other 300-level ENG courses.
The Director of Composition (KUY 711) can provide more information
on the rhetoric and composition emphasis, including the faculty
working in the emphasis, future work in the graduate program, and
publishing opportunities.
The Honors Program in English
The Honors Program in English, which is jointly sponsored by the
Department of English and the University Honors Program, offers
a valuable educational experience for qualified students who wish
to enhance their undergraduate education. One should enter the Honors
Program at the end of the second year or beginning of the third;
a minimum cumulative GPA of 3.3 is usually recommended. Students
enrolled in the program have the opportunity to investigate a topic
of genuine interest to them and to work closely with a member of
the faculty in researching and writing a senior Honors Thesis. Students
may also supplement or substitute English major course requirements
with appropriate Honors tutorial classes. After meeting the Departmental
and University Honors requirements, students may earn the B.A. degree
with Honors, High Honors, or Highest Honors.
Honors Courses
The Honors Program consists of one interdisciplinary seminar (HON
491), which may include students from various majors, and a class
on research methods (HON 495) taken from the University Honors Program.
In addition to these, the English Department offers two of its own
Honors Tutorials every semester, and students generally take one
or more of them before graduation.
The junior-level English tutorials, ENG 393 and 394, serve as "bridge"
courses for incoming Honors students. Introductions to a genre or
to theoretical/historical contexts for literary interpretation,
ENG 393 or 394 may substitute for the majors Introduction
to English Studies requirement (ENG 320). Recent junior-level English
Honors Tutorials include, Critical Approaches to Science Fiction,
Drama into Film, and American Poet-Critics.
Students may also take one or more sections of ENG 491 and ENG 492
for their senior-level English Tutorials. Recent sections include
Womens Autobiographical Narratives, Asian Diasporic Literatures
in English, and Regionalism and the Idea of a "Local"
Literature. English Honors Tutorials are repeatable for credit and
may be used as English electives or, if appropriate, as substitutes
for major requirements.
With the permission of the Honors Director or the instructor, non-Honors
students may enroll in English Honors tutorials on a case-by-case
basis.
The Honors Thesis
During the senior year, Honors students work on an extended research
or creative project in consultation with a thesis advisor. The thesis
may be based in any area of the Departments programs: literary
studies, cultural studies, composition and rhetoric, creative writing,
etc. The thesis length varies according to the project but is ordinarily
40-70 pages. Students begin their research in the first semester
of HON 495, in which they explore various approaches to their topics,
engage in research, prepare a bibliography, and outline their thesis.
The actual writing of the thesis usually takes two semesters, for
which students receive three credits (HON 496) per semester.
When the thesis is complete except for minor revisions, the student
then participates in a Thesis Discussion with three or four members
of the faculty. The Thesis Discussion allows time to incorporate
suggests and to do final editing before the bound version is submitted
to the University Honors Program. In addition, it creates the opportunity
for students to articulate the challenges of the project, to receive
thoughtful responses, and finally to recognize what they have accomplished
over the course of a years independent study.
Honors Advising
Through individual advising, English Honors students are encouraged
to take advantage of a wide range of academic opportunities and
programs. The Honors Director and faculty advisor work closely with
each student to plan a program that best serves her or his particular
interests and to offer pertinent information on professional and
graduate school requirements, application procedures, and scholarships.
To learn more about the Honors Program, please speak with the Director
of the Honors Program in English; office and phone numbers and office
hours are available in KUY 402.
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