University of Hawai‘i at Manoa | Department of English

English 492: Victorians and Cyberpunks:
Literature and Technological Revolution (W, E)

John Zuern
Spring 2003
F 1:30-4:00
Kuy 302

Office: Kuykendall 219
956-3019
zuern@hawaii.edu
Office Hours: Thursdays 12:00 - 3:00
and by appointment


 

Objectives
Materials
Assignments
Policy
Class Web Site
Schedule

Class Web Site

Victorian Web
George Landow,
David Cody , Glenn Everett, Kathryn Stockton


Objectives
Students in this course will take a comparative approach to a selection of novels that have emerged from two periods of technological revolution: the industrial revolution of the nineteenth century and the so-called information revolution of the present day. In our attempt to describe how these novels can be interpreted as responses to rapid changes in the social order that occurred in conjunction with technological innovation, we will engage a set of interrelated historical, political, and literary-critical questions. How, for example, is the development of the novel as a popular genre itself linked to technological innovations? How does a particular novel, Hard Times, say, or Neuromancer serve as both popular entertainment and social commentary? Themes of gender, labor, and class, which dominate "condition of England" novels and play a different but significant role in cyberpunk fiction, will receive particular emphasis. The course will also highlight the striking intertextuality of many works of cyberpunk novelists and Victorian materials; Gibson and Sterling's The Difference Engine and Stephenson's The Diamond Age both self-consciously imitate nineteenth-century literary conventions.

In order to emphasize the comparative nature of the course, novels from different periods will be grouped into pairs according to broadly conceived shared themes. Both Gaskell's North and South and Sterling's The Diamond Age, for example, are preoccupied with the social geographies and economic disparities that are brought into being by technological developments. The verbal play and incisive cultural criticism of Charles Dickens and Kathy Acker likewise suggest possibilities for productive comparisons. Students will, of course, have the freedom to do comparative work on any texts they choose, bringing in outside works as appropriate. When necessary, I will provide historical background on the novelists and relevant political and technological issues. A class web site will provide additional historical information.

Required Texts

Acker, Kathy. Empire of the Senseless.
Bronte, Charlotte. Shirley.
Dickens, Charles. Hard Times.
Gaskell, Elizabeth. North and South.
Gibson, William. Neuromancer.
Gibson, William and Bruce Sterling. The Difference Engine.
Stephenson, Neal. The Diamond Age.
a course packet from Campus Copy in the UH-M Student Center

You will need to have access to the Internet via a current browser equipped with current plug-ins for Flash, Shockwave, and Real Audio. The Critique Lab (Kuy 411) is available for your use, but the schedule of open lab times may be limited. You will also need an active email account.

Assignments
Semester grades will be based on participation in the collaborative class web site (20%), written responses to the readings (20%), one class presentation (20%), and two critical essays 6-7 pages in length (20% each).

Assignments are due on the day on which they appear in the schedule.
All assignments must be completed to receive a passing grade.

Policy
You are expected to attend this seminar regularly and on time. If circumstances arise that make it difficult for you to come to class or to complete your assigned work, please inform me immediately. Don't wait until the end of the semester, when it will be harder to make accommodations. You must complete all assigned work to pass the class. I will give incompletes only in cases of medical or family emergencies, for which I will require written documentation. I also expect you to adhere to the Interim Policy for Responsible Computing and Network Access and the policies of the English Studies Computing Center.

Web Site
Much of the writing you will do in this class will be part of a collaborate web site that will document our discussions and the development of (and connections among) the ideas of the seminar participants. This site will not be open to the public.

Schedule
(subject to change)

January 17

introduction to the course


January 24

Reading
Don Ihde, from Technology and the Lifeworld: From Garden to Earth (packet)

William Gibson and Bruce Sterling, The Difference Engine, 1-216

Assignment
Identify three issues/questions/problems related to "technology" that concern you. These may be, for example, practical questions about the implementation of particular technical devices or systems, ethical questions about the impact of technology on human beings and huma n relationships, or historical questions about how particular technologies developed. For each of the three issues, write a paragraph outlining your interest. Bring your paragraphs to class in a digital format, either on diskettes or FTPed to your UNIX account.

 


January 31

Reading
Karl Marx and Friedrich Engels, from The German Ideology and Capital (packet)

William Gibson and Bruce Sterling, The Difference Engine, 217-429

Assignment
Identify three concepts that are important to your thinking about technology. Write a paragraph for each explaining their importance.

 


February 7

Reading
Joel Mokyr, "The Rise and Fall of the Factory System: Technology, Firms, and Households since the Industrial Revolution"

Elizabeth Gaskell, North and South, 35-209

Assignment
Return to your three concepts and try to find out about their history. What are their etymologies? What disciplines do they come from? How has their use changed over time?

 


February 14

Reading
Francisco Varela, from Ethical Know-How: Action, Wisdom, and Cognition (packet)

Elizabeth Gaskell, North and South, 210-530

Assignment
Choose an excerpt from a novel we have already read and analyze it in terms of any of your issues and/or concepts that seem appropriate. Develop this analysis in two pages of writing. You might want to choose a passage from a novel you will be writing about for your first critical essay.

 


February 21

Reading
Katie Hafner and John Markoff, from Cyberpunk: Outlaws and Hackers on the Computer Frontier (packet)

William Gibson, Neuromancer

Assignment
Choose an excerpt from a novel you will be writing about in your first critical essay and discuss it in relation to at least two different secondardy sources. Cite the sources using MLA style conventions and include a list of Works Cited.


February 28

Reading
John Stuart Mill, from Utilitarianism (packet)

Charles Dickens, Hard Times, 1-128

Assignment
Write a page introducing the topic and argument of your first critical essay.


March 7

Reading
Althusser,from "Ideology and Ideological State Apparatuses" (packet)\

Charles Dickens, Hard Times, 129-277


March 14

Reading
Mary Flanagan, "Hyperbodies, Hyperknowledge: Women in Games,Women in Cyberpunk, and Strategies of Resistance" (packet)

Kathy Acker, Empire of the Senseless


March 21

Reading
Tom Standage, from The Victorian Internet (packet)

Charlotte Brontë, Shirley, Chapter 14

Assignment
First critical essay due


March 28

Spring Break


April 4

Ridley Scott, Blade Runner

Assignment
Choose an excerpt from a novel you will be writing about in your second critical essay and discuss it in relation to at least two different secondardy sources. Cite the sources using MLA style conventions and include a list of Works Cited.


April 11

Reading
E. P. Thompson, from The Making of the English Working Class (packet)

Charlotte Brontë, Shirley, Chapter 15 - Chapter 37

Assignment
Write a page introducing the topic and argument of your second critical essay.


April 18

Good Friday Holiday

 


April 25

Reading
Neal Stephenson, The Diamond Age, 1 -231

Assignment
Establish at least four links between your section on the class web site and those of other members of the seminar.


May 2

Reading
Neal Stephenson, The Diamond Age, 232-455

 


Monday, May 12

Last day to submit second critical essay